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Henri Matisse Wall Art

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16 Items
1
The Open Window, Collioure, 1905 Fine-Art Print
The Open Window, Collioure, 1905
20" x 24"
 
 
Price: $44.99
Sale: $22.49
Goldfish, 1912 Fine-Art Print
Goldfish, 1912
22" x 28"
 
 
Price: $25.99
Sale: $12.99
Basket with Oranges Fine-Art Print
Basket with Oranges
11" x 14"
 
 
Price: $21.99
Sale: $10.99
La Robe Violette et Anemones Fine-Art Print
La Robe Violette et Anemones
20" x 28"
 
 
Price: $55.99
Sale: $27.99
Interior with a Violin Case Fine-Art Print
Interior with a Violin Case
11" x 14"
 
 
Price: $21.99
Sale: $10.99
Goldfish, 1912 Fine-Art Print
Goldfish, 1912
8" x 10"
 
 
Price: $19.99
Sale: $9.99
The Window Fine-Art Print
The Window
24" x 30"
 
 
Price: $44.99
Sale: $22.49
Large Red Interior, 1948 Fine-Art Print
Large Red Interior, 1948
11" x 14"
 
 
Price: $21.99
Sale: $10.99
The Green Pumpkin Fine-Art Print
The Green Pumpkin
22" x 28"
 
 
Price: $44.99
Sale: $22.49
Interior with Egyptian Curtain, 1948 Fine-Art Print
Interior with Egyptian Curtain, 1948
22" x 28"
 
 
Price: $57.99
Sale: $28.99
Woman Reading at a Dressing Table, late 1919 Fine-Art Print
Woman Reading at a Dressing Table, late 1919
11" x 14"
 
 
Price: $21.99
Sale: $10.99
Interior with Egyptian Curtain, 1948 Fine-Art Print
Interior with Egyptian Curtain, 1948
11" x 14"
 
 
Price: $21.99
Sale: $10.99
Basket with Oranges Fine-Art Print
Basket with Oranges
20" x 24"
 
 
Price: $37.99
Sale: $18.99
The Yellow Dress, 1929-31 Fine-Art Print
The Yellow Dress, 1929-31
11" x 14"
 
 
Price: $21.99
Sale: $10.99
Interior in Yellow and Blue, 1946 Fine-Art Print
Interior in Yellow and Blue, 1946
11" x 14"
 
 
Price: $21.99
Sale: $10.99
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16 Items
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Henri-Émile-Benoît Matisse (31 December 1869 – 3 November 1954) was born in the year the Cutty Sark was launched, and died the year the first hydrogen bomb exploded at Bikini Atoll. Not only did he live on, literally, from one world into another; he lived through some of the most traumatic political events in recorded history, the worst wars, the greatest slaughters, the most demented rivalries of ideology, without, it seems, turning a hair. Matisse never made a didactic painting or signed a manifesto, and there is scarcely one reference to a political event - let alone an expression of political opinion - to be found anywhere in his writings. He certainly suffered from fear and loathing like the rest of us, but there is no trace of them in his work. His studio was a world within the world: a place of equilibrium that, for sixty continuous years, produced images of comfort, refuge, and balanced satisfaction. Nowhere in Matisse's work does one feel a trace of the alienation and conflict which modernism, the mirror of our century, has so often reflected.
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