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Henri Matisse Wall Art

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The Open Window, Collioure, 1905 Fine-Art Print
The Open Window, Collioure, 1905
20" x 24"
 
 
Price: $44.99
Sale: $22.49
Interior with Egyptian Curtain Fine-Art Print
Interior with Egyptian Curtain
22" x 27"
 
 
Price: $30.99
Sale: $15.49
The Window Fine-Art Print
The Window
24" x 30"
 
 
Price: $44.99
Sale: $22.49
Goldfish Fine-Art Print
Goldfish
13" x 19"
 
 
Price: $25.99
Sale: $12.99
La Danse Fine-Art Print
La Danse
21" x 16"
+ Multiple Sizes
 
Price: $51.99
Sale: $25.99
The Green Pumpkin Fine-Art Print
The Green Pumpkin
22" x 28"
 
 
Price: $44.99
Sale: $22.49
Sideboard Fine-Art Print
Sideboard
28" x 22"
 
 
Price: $25.99
Sale: $12.99
Festival of Flowers, Nice (Fete des fleurs), 1923 Fine-Art Print
Festival of Flowers, Nice (Fete des fleurs), 1923
24" x 20"
 
 
Price: $44.99
Sale: $22.49
Interior with Egyptian Curtain, 1948 Fine-Art Print
Interior with Egyptian Curtain, 1948
22" x 28"
 
 
Price: $57.99
Sale: $28.99
Creole Dancer Fine-Art Print
Creole Dancer
16" x 20"
 
 
Price: $22.99
Sale: $11.49
Female Head, 1930-32 Fine-Art Print
Female Head, 1930-32
20" x 24"
 
 
Price: $44.99
Sale: $22.49
Interior with a Dog, 1934 Fine-Art Print
Interior with a Dog, 1934
28" x 28"
 
 
Price: $70.99
Sale: $35.49
Basket with Oranges Fine-Art Print
Basket with Oranges
20" x 24"
 
 
Price: $37.99
Sale: $18.99
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13 Items
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Henri-Émile-Benoît Matisse (31 December 1869 – 3 November 1954) was born in the year the Cutty Sark was launched, and died the year the first hydrogen bomb exploded at Bikini Atoll. Not only did he live on, literally, from one world into another; he lived through some of the most traumatic political events in recorded history, the worst wars, the greatest slaughters, the most demented rivalries of ideology, without, it seems, turning a hair. Matisse never made a didactic painting or signed a manifesto, and there is scarcely one reference to a political event - let alone an expression of political opinion - to be found anywhere in his writings. He certainly suffered from fear and loathing like the rest of us, but there is no trace of them in his work. His studio was a world within the world: a place of equilibrium that, for sixty continuous years, produced images of comfort, refuge, and balanced satisfaction. Nowhere in Matisse's work does one feel a trace of the alienation and conflict which modernism, the mirror of our century, has so often reflected.
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